Silver Screen Sweetness
Thursday, May 21, 2009 at 7:21PM
Mike Karlesky in Game Systems, HCI, Storytelling

Movie theaters where the audience does more than only watch together? How about they play together.

Given that these technologies are several years old, I am admittedly a bit late to the party. This does not diminish HOW FREAKING COOL THIS STUFF IS.

The basic interactions models are these:

  1. Capture live video of the audience and use the aggregate motion of the crowd (basically lean to the left / lean to the right) as input to control the play interaction (e.g. direct vehicles or characters on-screen in simple video games).
  2. Bounce a beach ball among the crowd and track its shadow on the movie screen to respond to and direct game play.
  3. Capture the collected motion and position of the audience’s laser pointer dots on the movie screen as input to painting applications, uncovering hidden images, or to traditional video games.

The original work on these applications is detailed in the paper Techniques for Interactive Audience Participation. (Incidentally, one of the authors of this paper is Randy Pausch of The Last Lecture fame.) That paper as well as video and more detailed explanations and examples of use of these technologies can be found on the Audience Interaction page. Most recently these same techniques have been used for interactive advertisements preceding films in movie theaters.

It’s exciting to think of what could be implemented with this sort of audience interaction technology. Examples: creating choose-your-own-adventure-style films where the audience votes an outcome or directly involving the audience in certain action sequences. Using indirect means of measuring an audience’s input (like what’s been detailed above with perhaps the addition of auditory input) would prevent the cost and complexity of per-seat input technologies. Given the transition to fully digital film distribution and projection, the necessary computing hardware will soon be present in all theaters to render the actual result of audience interaction on-screen.

Article originally appeared on Note the Smile (http://notethesmile.org/).
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